Signature's high-octane rock musical about Hunter S. Thompson leans too hard on hero worship and too little on meaningful insight.
The Baltimore favorite reflects on 50 shows at Everyman Theatre and returning to the glorious chaos of Charles Ludlam’s camp classic.
Hovering between a hostage situation and a buddy comedy, Mosaic's "Andy Warhol in Iran" cleverly connects art and politics.
In reshaping "Frankenstein" as a tale of contemporary marriage, Emily Burns raises more questions than her monster answers
As Pride Plays takes over Woolly Mammoth for WorldPride, the "Shrinking" star talks representation and radical joy in queer theater.
In 'The Mystery of Irma Vep,' two quick-change artists deliver a masterclass in camp comedy, drag, and gothic farce.
Tarell Alvin McCraney’s "We Are Gathered" at Arena Stage explores modern gay romance, sex, and commitment.
Tarell Alvin McCraney's new play, "We Are Gathered," dives into love, legacy, and the intimacy of Black queer lives.
Julia Izumi’s self-absorbed solo show offers weak humor, clunky staging, and little emotional payoff beneath its quirky concept.
Trans performer Lucy Eden juggles a wealth of talents in her autobiographical show "Circus of the Self" at Spooky Action
Keegan's passionate march through "Falsettos" sings of the joys of chosen family while leaning into the agonies of divorce.
In Studio's gripping "Paradise Blue," 1940s film noir meets August Wilson-style drama inside a Detroit jazz club.
Constellation's bustling "Head Over Heels" serves classical romance and queer self-discovery with a giddy Go-Go's twist.
GALA debuts rising queer playwright Emilio T. Infante's incisive new drama Choke: Sucede Hasta en las Mejores Familias"
Led by Sawyer Smith's towering performance, Signature's "Hedwig and the Angry Inch" is a delirious blend of glam, punk, soul, and drag.